Robert Pattinson stars in “Mickey 17.” (Warner Bros. Pictures)
By Isabella Cantillano-Sanchez
Korean filmmaker Bong Joon-ho is no stranger to critiquing capitalism in his work. His 2019 film “Parasite” captured international attention and won the Academy Award for Best Picture with its darkly comedic examination of class differences. Joon-ho takes a loftier approach to social commentary in “Mickey 17,” using the trappings of the science fiction genre to explore the current political landscape. While messy, with the film attempting to juggle a few too many subplots, “Mickey 17” has undeniable heart. The love story at its center serves to drive home the central message of the film, which is that recognition of our humanity is vital in a capitalistic society that lacks empathy.
Robert Pattinson gives a delightful performance as Mickey, who flees his debt on Earth to be an “Expendable” on a spaceship destined for another planet with the intention of colonization. Mickey’s job as an “Expendable” is to die after being given the most perilous jobs on the ship, only to be reprinted as a clone with all of his memories intact. His only reprieve from this thankless existence is his relationship with security guard Nasha, played by Naomi Ackie. Nasha recognizes Mickey’s humanity despite his status as an “Expendable,” and empathy is the driving force of their relationship.
Nasha’s empathy exists in sharp contrast to the selfishness of expedition leader Kenneth Marshall, played by Mark Ruffalo in a performance that feels evocative of certain world leaders. Marshall dehumanizes Mickey as well as the rest of the labor force on the ship, viewing everyone aboard as merely a means to an end. He also holds no respect for the creatures inhabiting the planet he intends to colonize, immediately othering them and choosing a violent approach. His treatment of the creatures, known as “creepers” in the film, is also contrasted by how Nasha employs empathy when dealing with them. She recognizes their status as the original inhabitants of the planet and fights to preserve peace with them.
“Mickey 17” recognizes the faults in capitalism without despairing, as the existence of love provides a beacon of hope throughout the film. That Bong Joon-ho manages to examine the flaws in society while also highlighting how life can be joyful and meaningful speaks to his talent as a director. While imperfect, “Mickey 17” feels like a necessary film for this current cultural moment. We need unique perspectives and hope now more than ever, and this film provides that in spades.
